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NETWORK 2016
Awards Celebration Dinner
Awards UNIVERSITY OF MANITOBA GOLD MEDAL RECIPIENT BARKMAN CONCRETE DESIGN COMPETITION VISITABILITY DESIGN COMPETITION ENVIRONMENTAL DESIGN RESEARCH ASSOCIATION FACULTY OF ARCHITECTURE AWARDS
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AMP2 | ED ARCHITECTURE
University of Manitoba Gold Medal Recipient
Ashley Keldani | This post-earthquake recovery and regeneration project located in a small fishing village in rural Haiti is concerned primarily with climate, economical, environmental and social challenges while being highly sensitive to culture and history. The site includes a harvesting and preservation plant for fruit, vegetables, fish and bamboo as well as living quarters, a garden market, a ceremonial voodoo building, public bathrooms, bamboo lumber yard, cisterns and terraced landscape for growing. The bamboo forest is the source for the majority of the building materials which aids in repopulating the 98% deforested land while healing the soil for future farming exports. Adobe foundations are also sourced from the site and thus all materials for the entire project are directly from the site and constructed with local skill. In this way any and all funding can go directly to the local economy and no monies are spent on purchasing or importing construction materials.
Pre-existing local skills are incorporated into building methods so that construction may come intuitively. This includes local basket weaving techniques, sun dried bricks, huts and nets. All mechanical systems are integrated with the environment and do not require electricity or exterior system networks. All buildings are self sufficient to offer financial independence and reliable disaster survival for future earthquakes or hurricanes. Natural passive systems include open air ventilation that takes advantage of land and sea breeze movements, for example the harvesting plant integrated velocity tubes and heat vents into the structural shell. Evaporative cooling ponds and water storage containers are incorporated throughout several of the buildings, naturally chilled terra cotta pipes are within the adobe foundation to provide additional cooling to the buildings as well as water sources throughout. Harsh direct sunlight is controlled and directed through a variety of layered skins and screens as well as encouraged vegetation growth on intended rooftops increasing structural flexibility and additional cooling. •
NETWORK 2016
Ashley Keldani Enviromental Design Program 2015-2016 Architecture Master Preparation Option Advisor: Lancelot Coar, Associate Professor I grew up in the Okanagan Valley in BC surrounded by wineries, orchards and forests which influenced me to have a deep respect for nature and to understand the satisfaction and joy that comes with living off and with the land. I started out in the Interior Design industry including teaching at the Art Institute of Technology and Design in Kelowna. I have a previous Bachelors degree majoring in Art History from UBC and deeply enjoy integrating my knowledge of history and culture into my current works. I just completed my second Bachelors degree in the AMP option from UM, finishing with the Gold Medal for top GPA in the Faculty of Architecture as well as multiple scholarships and qualifications to the Deans Honor list. I will be starting my Masters in Architecture
at UC this fall (2016) including a semester to study in Barcelona. My future plans in the field post academia include historical restoration and design, accumulating industry hours for future certification and starting my own firm in the niche of historical architecture and restoration. I would like to add that my time spent at UM was incredibly moving, the faculty and especially the professors that I had the privilege to work with were nothing less than inspiring, impactful and memorable. I would like to specifically thank my studio professors Nada Subotonic and Lancelot Coar for giving me the perfect balance of guidance and creative freedom as well as authentically caring about the work and what it means.
87
AWARDS
Barkman Concrete Design Competition [BO]bench Katryna Lipinsky
Thea Pedersen
Sasha Amaya
[BO] bench is designed to engage users in an interactive experience by offering the user a variety of places on which to sit, perch, or lean. Coupling a sense of play with a useful variety of surface heights and widths, this design facilitates the user’s needs by providing them with choices on how to use the dynamic form.
Complementing the bench, the planter and waste container also serve as media through which the environmental and technological interact. The waste container is designed to facilitate disposal in two ways: its form, tapered at the bottom, creates a chute for unhampered removal of a full bag; the design also conceals a scale at the bottom of the container, which, at the pressure of 20 lbs or more, changes the bin’s light rim from white to green. Similarly, the planter alights at night, highlighting its contours and uniting the piece further with its unit.
The bench,planter and waste container are created from a wet poured concrete with reinforcments throughout the structure. The surface is smooth but unpolished to bring out the beauty of concrete while placing it firmly within the vocabulary of other urban hardscapes, such as sidewalks, curbs and roads.
waste bin
85cm
70cm 110cm
45cm
45cm With a tapered core and a broad surface, the design of the bin allows for a comfortable stance for emptying. Maintenance personnel can rest their elbows on the broad surface, while expecting to pull the bag out with ease. The base of the holder is 25cm high, acting as a weighted support against wind and other environmental risks.
170cm A small outlet, tucked discreetly within the underlip of the lean segment, where it is protected from the elements, serves to provide users with a temporary charging station for their smart technology.
planter
60cm
88
Edges of the planter are designed to compliment the twisting ribbon-form of the bench. With a simple plainer surface, the planter can be positioned with a vertical surface, such as a building facade, eloquently. 20cm
60cm
20cm
Perch
Lean
Sit
Bo’s back surface is designed flat, both to allow for coordination with the building facade and to facilitate its construction in a wet cast form. Given its unique curvature, a slow-setting concrete mixture is ideal for accuracy and ideal texture quality of the [bo]bench. 10cm
Designed to fold against a building wall, stand alone on a pedestrian side walk or plaza, or create a sculptural component in a park, this bench integrates itself into diverse urban settings with simplicity, elegance, and a sense of movement. The various widths and heights offered by this bench allow manifold uses -- from a casual lean against a warm brick wall to the resting of groceries on a surface platform -- while maintaining ergonomic guidelines for comfort and safety.
20cm
1st Place: Katryna Lipinsky, Thea Pederson, Sasha Amaya
Barkman Concrete Design Competition 2015 - 2016 Eligibility: Any enrolled student of the Faculty of Architecture and students of the course EVLU 4002 Construction Materials Year: L+U4 students, M2 landscape architecture students Fall Term 2015 Course Instructor: Prof. Anna Thurmayr TA: Katharine Walker
About the Competition: How to turn a bench, a bin, and a planter into ‘smart urban furniture’? Every year Barkman Concrete Ltd. honours precast design proposals of students that challenge and celebrate the material ‘concrete’. The task this year was the presentation of a design for pre-cast furniture that serves both higher comfort standards (e.g. bench with armrests, backrest and wooden seating area; lockable waste container with side opening and liner for garbage bag) and advanced electronic purposes (e.g. bench with charging station or bus notification; bin with indicator that container is full).
Conceptional ideas were expected for the set of bench, bin, and planter and detailed scaled drawings for the bench only. The call for entries established prizes (total money of $3000) generously donated by Barkman Concrete Ltd. as part of their Scholarship Fund for students in the Faculty / Department of Landscape Architecture. •
NETWORK 2016
angularessence
Construction Drawings ”
3/4
This modular design is a composition of triangles that can be arranged in varying formations. This three part design is made up of a disposal bin, planter, and a bench. The disposal bin and planter are both triangular in form while the bench is composed of three triangles forming a trapezoid. All components of this modular design are created by a wet cast concrete base. The bench is designed for comfortability which is encompassed by its angled sides for extra leg space and a curved seating area. The intricate notches located on the concrete base allow for a removable metal piece to be attached to the bench allowing for electronics to be charged. The curvature of the seating is created through Cedar panels following a 4o angle of comfortability elevated from the concrete base.
3’-1” 60o
3”
3”
2” 1 1/2”
4o 4 1/2”
Possible Combinations 40+ combinations
2’-8”
1’-3” 1’-5” 1’-6” 80o 2 1/2” 7”
1:10 Section
6’-3”
1:10 Plan
Bench
Planters
Recycling and Garbage
The curvature of the bench is suitable for sitting on either side, which allows for optional seating and more combinations in the modular form.
There are three sizes of planters which have varying heights. The wooden accents inter-lay the wet cast concrete.
There are two disposal bin designs that accommodate recycling as well as waste. The fibre glass openings on the door act as an indicator for capacity.
Removable Segments
Cedar Segments
Rebar
Garbage
Recycling
Removable plug
Cement mass
Structural Rebar
EVLU 4002
Construction Materials
Barkman Design Competition
University of Manitoba
Landscape and Urbanism
Year 4
2
nd
Nikko Aliasut
Dilaxshy Sivagurunathan
Vanessa Vermeulen
Place: Nikko Aliasut, Dilaxshy Sivagurunathan, Vanessa Vermeulen
PALIMP[SET] Diving amoungst the urban Layers
The design of the furniture set pulls from the palimpsest of Winnipeg. The palimpsest is the layering of elements of the city over time which creates a unique richness to our environment. A major layer in this palimpsest is the river that used to connect but now bisects the city from North to South and East to West. Where the Red and Assiniboine River meet, there is a beauty in the form of this connection. The ripples in the bench pull from the Assiniboine Rivers form with the support pulling from the Red. On top of the form of the rivers lay the river lot system with their narrow linear forms extruding from the rivers edges.
50cm
Black locust wood is chosen for its ability to resist graffiti and represents these lots in form. The connection between the concrete form meanders down the bench just as the river meanders through the city. This rippling meandering form flows into the openness of the planter and the translucency of its sides. The dip of the side represents the dips in the river, while the trash can floats to due to its translucent base to continue the form in silhouette. The three pieces form a set of urban artifacts referencing the layers of the urban form. The pieces fit together just as the layers of the city form the palimpsest creating a modular system of changing forms for changing spaces.
76cm
76cm
Side View
Black Locust Wood
5cm 43cm
Planter
66cm
74cm
The bench is designed with a single support that is counterweighted below the ground with rebar reinforced concrete. The Black Locust Wood is a series of strips laminated together and connected with an embedded metal plate bolted to the laminated wood and connected to the inner rebar in the concrete to provide a connection and support. This system is designed for a strength, stability, and elegance giving the bench a delicate yet strong physique.
183cm
76cm
Plan View
Plan View The planters design is a continuation of the meandering river seen in the side view of the bench. Utilizing translucent concrete, a range of light will pass through the edges of the dip, highlighting the rivers edge.
Perspective 20cm
Embedded Steel Connection Plate [2cm]
Reinforced Concrete
13cm 5cm 46cm
Above Grade Below Grade
13cm 30cm
137cm
Longitudinal Section
Translucent Concrete
Rear View
1:10 0
50cm
100cm
Reinforced Concrete
The translucent concrete utilized at the base of trash can allows for a layered look to the set. This material also allows for a degree of ease to the city workers as it quite easy to tell when it is time to change the garbage. The door located at the back of the garbage bin also adds to the ease of changing the garbage.
Trash Can
76cm
91cm 76cm
Side View
Plan View
1:10 0
50cm
Ryan Broadfoot
100cm
Janelle Harper
Emmanuel Reich
EVLU 4002
Construction Materials
Professor Anna Thurmayr
TA: Katharine Walker
Faculty of Architecture: Landscape + Urbanism
Fall 2015
3rd: Place: Ryan Broadfoot, Janelle Harper, Emanuel Reich
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90
AWARDS
Visitability Design Challenge
TOM’S HOUSE PERSPECTIVES OVERALL P8 MICRO-HOME SPACE VISITABILITY INFORMATION
4. Overnight Space
1. Home Entry
Standard door size (7’ x 3’) 63” x 63” landing
Paved road in front of the ramp
Slope ratio: 1:12
2. Doorways and Hallways and 3. Washrooms
First floor plan REFLECTIVE GLASS
36”
60”
60”
36” 36” 36”
60”
- Tinted and reflective glasses offer harmonization and more compatible within its environment - Protect privacy to a micro-house in a dense cluster - Providing sunlight while prevent glare
The diameter of the red circles is 60”. The project is located at Vancouver, where a minimum 60” diameter of open floor space in front of kitchen counter is required to be qualified as visitable. To achieve efficient floor layout, their is not hallway.
On the first floor, half of the floor is used as living room, which can provided substantial space for a temporary overnight bed. A screen is used to provide privacy. The glass wall on the side is reflective glass which protects privacy as well.
Their are not bathtub but shower instead. A flippable seat with handles on both sides is more feasible to disabled people and provides more space in the washroom. The toilet and the shower seat are placed in the same direction with the open floor circle in the middle for easier transition.
Second floor plan
The deck is feasible to any personal equipment too. 60”
1st Place Environmental Design Interior Environments Year 4
“VisitAble Housing” or “VisitAbility” is the concept of designing and building homes with basic accessibility. VisitAble KITCHEN homes provide easy access on the main level for everyone. VisitAble housing offers a convenient home for residents and a welcoming environment for visitors in all ages and mobility. VisitAble Home Design is becoming increasingly prevalent as a response to a housing sector which severely and routinely lacks homes designed
Environmental Design Year 2 Studio Grand Winner: Violet Zhiyu Jiang University of Manitoba
Faculty of Architecture
with even the most basic of agefriendly or accessible features. As both the younger and older adults of today’s society strive to become more inclusive of all individuals and notice for themselves the importance of aging and place, the relevance of VisitAbility becomes apparent. Over the past few years a national project has been undertaken here in Canada which has assembled multiple task forces across the nation to promote 20
Environmental Design EVDS 2900 Design Studio 2
Winter 2016
Instructor: Dr. Mohammad T. Araji
TA: Shannon Loewen
Violet Zhiyu Jiang
education and awareness of this integral set of design principles. Through this project the Winnipeg VisitAbility Task Force has produced a modernized set of standards and guidelines to use in contemporary VisitAble Home Design. As members of the Winnipeg VisitAbility Task Force, Architect Lanny Silver and Chris Rootsaert with Ten Ten Sinclair Housing Inc. invited students to develop projects that incorporated a “VisitAble” design to their housing projects. •
NETWORK 2016
ENVIRONMENTAL DESIGN YEAR 2
List of the micro-home’s accessibility features:
Ease of Use - lever faucets in kitchen and bathroom - reinforced 6.5” bathroom walls for mounted grab bar supports and fold out shower seat - entrance lighting - rocker light controls - curbless shower with curtain - audio/visual alarms - interior pocket doors and entry door with lever handle Adjusted Heights - raised front loading washer/dryer and electrical outlets raised to 16” - lowered light switches, thermostats and other controls to 36” - adjustable closet rod - bed height of 21” - window heights of 22” in living space and bedroom - counter heights of 30” - cabinet and shelf max. height reach of 48” Smooth Flooring - non-slip bathroom and kitchen floors - low pile carpet throughout living space and bedroom/laundry areas Space - no-step entry - 36” interior door widths and 38” entry door width Diagram of the micro-house’s accessiblity. - maneuvering space of 60” diameter in bathroom, kitchen, living space, and laundry areas - futon in living room also functions as an overnight space - leg space under counters, sink and stove in kitchen and under sink in bathrom
NORTH EAST SECTION 1
Studio Grand Winners: Devin Dushanek Zhiyu Jiang (Violet)
Rendering of the exterior back of the micro-house viewed from the South-East. Site is situated with the pre-existing walking path running under the overhang of the house, which also provides much needed cover for the house’s entry.
NORTH EAST SECTION 2
NORTH EAST SECTION 3
Unit Winners: Haim Chernyakov Andrea Doussis Brittany Hince Siwicki Jedidiah Nibre Michaela Peyson Aeron Regalado Kenworth Sayson Desiree Theriault Marlena Jankowski Pauline Ordonez
Environmental Design Year 2 Studio Grand Winner: Devin Dushanek ENVIRONMENTAL DESIGN INTERIOR ENVIRONMENTS YEAR 4 First Place: Paula Aragao Kelsey Hodge Olushola Shitta Bey Ashley Vinsky Katie Wurch Second Place: Sukyoung Kim Lindsay Imlah Andrew Viflanzoff Soheila Batenipour
Figure 31: Dean’s Residence Perspective 1 (Wurch 2015E)
2nd Place Environmental Design Interior Environments Year 4
Honorable Mention: Johnathan Barscello Chelsea Lazar Marina Luxi Jessica McMillan Ames Pujianto DEPARTMENT OF ARCHITECTURE Amanda Bakker Ben Bosiak Louisa Fontaine Evan Schellenberg
Department of Architecture: Evan Schellenberg
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92
AWARDS
Environmental Design Research Association
EVOKING OTHER GARDENS
YI ZHENG
Three islands in Winnipeg
SECTION 2-2
Islands in Chinese Gardens
University of Manitoba
Professor Brenda Brown
The ground surrounding the Manitoba Legislative
there is very little Indigenous representation there.
plants; Eastern White Cedar, Wild Tobacco, Sweet Grass
vegetation was removed for the design. The four sacred
Introducing an ethnobotanic garden will create a
and Prairie Sage are planted in beds along the path and
visible expression of Manitoba’s Indigenous people
clustered in front and behind the Legislative building.
and will be a symbolic gesture aimed to bring
Peach bloosm as the prototype of Traditional Chinese Gardens
Interviews with three men knowledgeable about
SECTION 1-1
Indigenous Culture were conducted. This included a
Several elements were selected during the research into traditional gardens of China so as to reproduce the character of Chinese culture.
Organized Stones LOCATION MAP
Shadow studies were done to influence where
plantings occur.These plants surround a circular path because, as learned in the interviews, circles are
the relationship between plants and Manitoba’s
PERSPECTIVE A
Winnipeg, Canada
very high respect for plants, therefore no existing
Indigenous issues to the forefront of our government. Stones as Retaining walls
EVLU 4012
Each interviewee spoke of the Indigenous culture’s
Building is a symbolic landscape. It holds many
monuments and iconographic features, however
MEG FOSTER
Trees with Verticle features
Stone Paths
GITIGAN MEKANYZN
Metis Elder, an Ojibwa/Cree student in his twenties
symbolic of balance. A fire is nestled among the sacred
plants in front of the building. It will continue to burn until every missing and murdered Aboriginal woman is found.
and a non-Aboriginal thirty year-old educator in an Ojibwe community.
“All plants have a spirit and all plants serve a purpose.”
INTRODUCTION PERSPECTIVE B
The idea of "One pond and three islands" symbolizing humans' reverence for nature and the concept of “the peach blossom area” go back to Qin Dynasty (221-206 BCE). These concepts continue to be influential in Chinese garden design today. This ethnobotanical garden design incorporates these ideas and organizes the garden to symbolize and promote the goals for plants and humans to live symbiotically.
• Ojibwa/Cree student interviewee
NAME
The goal of the garden is to bring a little bit more of plant and garden culture of China into Winnipeg’s multi-cultural culture, along with social, recreational and educational functions. To achieve the goal, interviews with those knowledgeable of Chinese culture were done to get a general idea of what could really be representative and attractive for potential users of the garden.
Eastern White Cedar Thuja occidentalis
Wild Tobacco Nicotiana rustica
Sweetgrass Hierochloe odorata
Prairie Sage Artemisia ludoviciana
KEY METHOD & REMARKS SPACING
Root Ball
Plug Plant Informally
Plug Plant Informally 0.3048 to 0.9m apart
Plug Plant Informally
1.25m apart
0.6 to 0.9m apart
50-60cm
90cm
20cm
30-50cm
n/a
Annual
Perennial
Perennial
Full Sun to Shade
Full Sun
Full Sun to Partial Shade
0.9 m apart
PERSPECTIVE C PLANT HEIGHT
The designed garden is organized as a chain of picturesque scenes guided by stone paths and view attractions. Along the paths, plants categorized into either ornamental or of medicinal use are planted in different structures. Research into plant differences and adaptations helped determine how to best replace those Chinese plants that cannot grow in Winnipeg with plants of similar characteristics that can survive there.
LIFE CYCLE SHADE TOLERANCE
Full Sun
PLANT COLOURS
This poster includes location maps of the site, a site plan(1:200 ), a planting plan(1:500 ), plant chart and planting schedule, three perspectives and two sections. Ludlow's tree peony
Dogwood
Bur Oak
Rock's tree peony
Juniper
Scotch Pine
Arrow Bamboo
Honeysuckle
Common Choecherry
Northern Gold Forsythia
Muckle Plum
Chinese Astilbe ' Vision in Pink'
Amur Maple
Chinese Lantern
Canada Plum
HostaHosta forunei 'Albomarginata'
Hawthorn
HostaHosta 'Aztec Treasure
Nanking Cherry
Bur Oak Common Chokecerry Muckle Plum Canada Plum Amur maple
Sinuate Bamboo
Hawthorn Scotch Pine
Boxthorn Siberian dogwood Common Juniper Honeysuckle Northern Gold Forsythia Chinese Atilbe 'Vision in pink' Chinese Lantern Hosta 'Aztec Treasure' Rock's Tree Peony Sinuate Bamboo Lily 'Grand Cru'
20m # A B C D E F G H I J K L M N O P Q
SITE PLAN 1: 200
PLANTING PLAN 1: 500
YI Zheng, Landscape Architecture graduate student, and Meg Foster, graduating student in the Environmental Design- Landscape + Urbanism option, tied for this year’s best poster award at the Environmental Design Research Association (EDRA) annual conference in Raleigh, North Carolina on May 21. Over 60 posters were presented at this international event. Foster’s Gitigan Mekanyzn and Zheng’s Evoking Other Gardens - Three Islands in Winnipeg
R
Common Name Latin Name Bur Oak Quercus macrocarpa Common Chokecherry Prunus virginiana Muckle Plum Prunus x nigrella 'Muckle' Canada Plum prunus nigra Amur maple Acer ginnala Hawthorn crataegus x mordenensis Scotch Pine Pinus sylvestris Boxthorn lycium barbarum Siberian dogwood lycium barbarum Common Juniper Juniperus communis Honeysuckle Lonicera Northern Gold Forsythia Forsythia 'Northern Gold' Chinese Atilbe'Vision in pink' Astilbe chinensis 'Visions in Pink' Chinese Lantern Physalis alkekengi Hosta 'Aztec Treasure' Hosta 'Albomarginata' Rock's Tree Peony Ludlow's Tree Peony Sinuate Bamboo Phyllostachys flexuosa Lily 'Grand Cru'
Size
Quantity
H: 20m W: 15m H: 8m W: 6m H: 3-5m W: 3-5m H: 6-8m W:5-6m H:4-5m W:5m H: 3-5m W: 4m H: 20m W: 8-10m H: 4m W: 4m H: 1.5m W: 1-2m H: 0.2-0.3m W: 0.5m H: 1.5m W: 1-2m H: 1-2m W: 1-2m H: 0.5-0.6m W: 0.3m H: 0.5-0.8m W: 0.5-1m H: 0.5-0.8m W: 0.5-0.8m H: 0.5-0.8m W: 0.5-0.8m H: 1-1.5m W: 1-1.5m H: 0.5-0.8m W: 0.5-0.8m
25 2 6
SHADOW STUDIES- JUNE 20TH
4 9 7 19
10 am
2 pm
8 am
4 pm
6 13 650 11 19 135 50 90
Lily 'Grand Cru'
Boxthorn
33 14 50
began in the LARC/EVLU Possible Urbanisms studio in fall, 2015. As students in Professor Brenda Brown’s section, their first project was to design an ethnobotanical garden for Winnipeg, a project that included interviews with people of different cultures as well as other research on plants, people, Winnipeg and their sites. Students were required to prepare their design presentation based on EDRA specifications and to write and submit an
abstract to the juried conference. Seven out of the class’s eleven submissions were accepted in February; six students refined their designs, attended the conference and presented their work. Graduate students Sujana Devabhaktuni and Connor Redman also presented posters; graduate student Raveena Chauhan and undergraduate T.J. Richard presented their projects in 6-minute ‘shorts.’ •
Faculty of Architecture
NETWORK 2016
Awards 2015 - 2016
FACULTY WIDE AWARDS Manitoba Graduate Scholarship Architecture Evan Schellenberg Stefan Klassen Maryam Haghshenaslari City Planning Jessica Russell-Edmonds Conor Smith Larissa Blumenchein Interior Design Erns Wall Landscape Architecture Brydget Lewicki Jane Hilder Sasha Amaya SSHRC Architecture Sarah Stasiuk City Planning Philip Mikulec Landscape Architecture Garth Woolison
Allan Waisman Aboriginal Architecture Scholarship Krista Goodman ARCC / King Student Medal City Planning Derek Yau Canadian Masonry Research Institute Scholarship Erik Arnason Corrigill Scholarship Environmental Design Hugh Taylor Jason Wall Michaella Amable Erns Wall Architecture Sarah Stasiuk City Planning Andrew Macaulay Interior Design Caroline Grimes Landscape Architecture Omar De Mesa
Faculty of Architecture Endowed Scholarship Environmental Design Evan Kettler Architecture Denis Vrignon-Tessier
Price Industries Ltd. Recruitment Award Environmental Design Arleigh Butler Karmela Martin Mateo Linares Claire Spearman
City Planning Brittany Curtis
Architecture/AMP Alexandre Ross-Gautron
Interior Design Emily Jones
City Planning Jeffrey Hanson
Landscape Architecture Ryan Coates
Interior Design Erns Wall Hartley Roger
Fridrik Kristjansson Scholarship In Architecture Zoe Lebel Maxwell Starkman Scholarship in Architecture Steven Holdack Adele Sinclair
Landscape Architecture Kristopher Mariash Carl Nelson Jr. Teaching Award Ted McLachlan
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AWARDS
ENVIRONMENTAL DESIGN PROGRAM William and Olive Humphrys Scholarship For Architecture Ashley Keldani
James Palmer Lewis Student Award Jason Wall Ting Ting Ng
Students’ Architectural Society Award Alena Rieger Vanessa Vermeulen
Dr. A.W. Hogg Scholarship Hugh Taylor
The R.A.C. Memorial Scholarship Michaela Amable
Arthur Buckwell Memorial Scholarship Stefan Klassen
Kasian Scholarship for Architecture and Design Excellence Stuart Cameron
Terry Cristall Scholarship In Environmental Design Katryna Lipinsky
Faculty of Architecture Design Award Stephanie Ammeter Isbister Scholarship Ainsley Johnston
Michael Cox Scholarship Ashley Peebles
Dan Muir Memorial Award Ainsley Johnston
James Palmer Lewis Student Scholarship Jason Wall Claire Spearman Royce O’Toole Samantha Blatz Laurie Aftanas Pinky Prize Robyn Fossay University of Manitoba Gold Medal Ashley Keldani
DEPARTMENT OF ARCHITECTURE Harry Seidler and John Russell Recruitment award in Architecture Aaron Pollock Michael Butterworth Leonard C. Klingbell Scholarship In Architecture Denis Vrignon-Tessier Mel P. Michener Architectural Fellowship Steven Holdack Cibinel Design Achievement Award Sakshi Misra Randy Gilbart Memorial Scholarship Evan Schellenberg
Le Prix Jacques Collin en Architecture Daryl Randa Nathan Johns
Stantec Architectural Fellowship Sakshi Misra Sarah Stasiuk
American Institute of Architects Certificate of Merit Ryan Marques
Manitoba Association of Architects Medal (20142015) Kailey Kroeker
Northern Sky Architecture Award For Environmental Stewardship David Tyler Jones
Alpha Rho Chi Medal Kailey Kroeker
Manitoba Association of Architects - Architecture Recruitment Award Emily Bews
Bill Allen Scholarship in Architecture (Travel and Research) Emily Bews (Research) Erik Arnason (Travel)
William E. Sheets Scholarship In Architecture Landon Lucyk
American Institute of Architects Medal Kailey Kroeker
Royal Architecture Institute of Canada Honor Roll Kailey Kroeker Ryan Marques Royal Architecture Institute of Canada Student Medal Apollinaire Au Norman Ripley Memorial Scholarship Brooke Conrad
NETWORK 2016
DEPARTMENT OF CITY PLANNING City Planning Jubilee Scholarship Ellen Enns Thomas B. Yauk MPPI Scholarship Deepa Chandran Dean David Witty Urban Design Scholarship Andrew Macaulay
MPPI Case-In-Point Excellence Awards 1st Place Lucy Ramirez 2nd Place Gaelen Pierce 3rd Place Krista Rogness Adam Kroeker Mayor’s Medal Lea Rempel
DEPARTMENT OF INTERIOR DESIGN Jean M. Pearen Scholarship Leanza Barra
Stantec Interior Design Fellowship Stephanie Prouse
PIDIM Thesis/Practicum Prize Of Interior Design Emilee Taylor
Joan Harland Scholarship Emily Jones
PIDIM Medal Lindsay Biberdorf Roy C. Rettinger Graduate Scholarship For Interior Design Heather Wallis Caroline Grimes Milan Code Elyssa Woods Leanza Barra Katlyn Bailey
Steelcase Prize for Design Excellence Emilee Taylor Tamera Kucey Memorial Milan Code Teknion / Global (IDCF) Fellowship Taryn Lee Chambers
DEPARTMENT OF LANDSCAPE ARCHITECTURE MALA Medal Meaghan Pauls Department of Landscape Architecture Graduate Fellowship Jonathan Watts Carl R. Nelson Travelling Fellowship in Landscape Architecture Kaleigh Lysenko
Landscape Architecture Entrance Scholarship Robert Freeman Landscape Architecture Thesis/ Practicum Prize Vincent Hosein Alexander E. Rattray Scholarship In Landscape Architecture Raveena Chauhan
Barkman Concrete Scholarship Stephanie Kirkland Xuan he Katherine Pihooja Connor Redman Heather Schneider University Olmsted Scholar Scott Irvine
MALA (Manitoba Association of Landscape Architects) Fellowship Krista Goodman Shannon Loewen Saskatchewan Association of Landscape Architects (SALA) Academic Award Kyla Tulloch
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